艾米莉·狄金森的道之枢轴（英文）

汤姆·佩特森

艾米莉·狄金森的道之枢轴（英文）

汤姆·佩特森

美国堪萨斯州奥佛伦帕克市约翰逊县社区学院

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出版历程
- 收稿日期: 2018-12-12
- 刊出日期: 2021-03-09

Emily Dickinson’s Pivot of the Dao

Tom Patterson

Johnson County Community College in Overland Park, Kansas, U.S.A.

摘要

摘要: 就现今已发表的学界言论而论，越来越多的观点，比如，Kang,Uno,Chen and Patterson，都提倡从中国文化的视角，观察体验狄金森的诗。本文将从道家的视角，揭示狄金森的作品、如何在众多概念性领域内，捕捉到了大量时常相互矛盾的视点。就道家经典《庄子》而论，狄金森的作品之所以能有如此宽广的视野、众多的视角、这只能说明她对知识有着更高的追求。狄金森形象地将自己的广阔的视角称之为“圆周视角”。有人常常将狄金森比作“流离失所，无家可归”，因为她的诗既无中心感、又无整体感，但从道家的角度考虑，这种批评指责恰好变成是一种赞赏。从道家的角度考虑，狄金森的透视主义（或透视观）、正说明揭示其内心的审视怀疑以及同时把握多种观点的能力。根据庄子中所表述的到家观点，这两种观察世间万物的行为恰恰代表着人的更高层次的智慧。就道家而言，每一种不同的视角、与其说是增添矛盾，还不如更精确地说，是在知识旋转的车轮上再加上新的车轴。这就是狄金森常说的圆周视角（或圆周关）。
- 艾米莉·狄金森 /
- 透视主义 /
- 圆周视角 /
- 道家 /
- 庄子
Abstract: More and more articles have been published encouraging the use of a Chinese lens on Dickinson’s poetry (e.g. Kang, Uno, Chen and Patterson). This paper will use a Daoist lens to show how her writing captures a multitude of often contradictory perspectives in a number of conceptual areas. Her embracing this wide range of perspectives, as viewed in the classic Daoist text, the Zhuangzi, reflects a search for greater knowledge. Dickinson graphically refers to this broad business of hers as“circumference.” While Emily Dickinson has been criticized by some for her“homelessness,” for her poems having no center, no whole, yet from a Daoist viewpoint this criticism can be recalibrated into words of praise. When viewed through a Daoist lens her perspectivism reveals her skepticism, and her ability to hold more than one perspective in mind at the same time, both ways of looking at the world that Daoists, as expressed in the Zhuangzi, view as characteristic of higher wisdom. From a Daoist point of view each perspective, rather than compounding contradictions, is more accurately viewed as additional spokes added to the wheel of perspectives, the circumference that she so often mentions.
- Emily Dickinson /
- perspectivism /
- circumference /
- Daoism /
- Zhuangzi

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