诗人译者与个性化反叛——论肯尼斯·雷克斯罗斯杜诗英译的翻译策略

徐依凡

doi:10.19857/j.cnki.ICL.20214104

诗人译者与个性化反叛——论肯尼斯·雷克斯罗斯杜诗英译的翻译策略

doi: 10.19857/j.cnki.ICL.20214104

徐依凡^,

复旦大学

详细信息

作者简介:
徐依凡，复旦大学中文系研究生，主要研究方向为比较诗学、翻译研究。

通讯作者:
徐依凡,E-mail:ellaxu_1998@outlook.com

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出版历程
- 收稿日期: 2020-07-18
- 修回日期: 2020-09-16

Poet-Translator and Personalized Rebellion: On the Translation Strategies of Kenneth Rexroth's English Translation of Du Fu

XU Yi-fan^,

Fudan University

摘要

摘要: 1956年,肯尼斯·雷克斯罗斯出版了他的第一部汉诗选译集《中国诗百首》,其中共有35首杜甫诗歌的英译。这部译诗集不仅是汉诗翻译的优秀作品,也称得上是一部美国诗歌经典,笔者立足于雷克斯罗斯既为诗人又为译者的双重身份,探讨在20世纪前半叶的美国诗歌发展背景下,雷克斯罗斯通过汉诗英译对诗坛领袖艾略特所提出的“非个性化”理论所展开的质疑与挑战,而这种反叛的内核,正是对这一理论背后的整个西方传统价值的颠覆。笔者通过具体文本的技术性分析与翻译研究领域的理论阐释,求取雷克斯罗斯在特定的目标与立场下所采取的翻译策略,并进一步讨论他在这些翻译策略中所投射的审美反思,尤其是重新观照了人与世界之相处、情感普遍性与个别性以及传统与个人的意义等诸种问题。通过这些特殊的策略,雷克斯罗斯把异域文化的差异审美价值引入了本土语境,并开启了英语表达的更新与激活,推动了个体审美思想与价值观念的修正。本文在翻译史、翻译理论与美学理论的交汇点上,讨论雷克斯罗斯的英译杜诗在整合异质性与本土价值的过程中,把第一人称唤回文本并解放个体情感,从而在诗人译者对杜甫诗歌的个性化诠释中完成对本土诗学理论的反叛。
- 雷克斯罗斯 /
- 杜诗英译 /
- 诗人译者 /
- 翻译策略 /
- 《中国诗百首
Abstract: In 1956,Kenneth Rexroth published his first anthology of translated Chinese poems,One Hundred Poems from the Chinese,which included thirty-five English translations of Du Fu poems.Not only is this work regarded as an excellent translation of ancient Chinese poetry,but also as a classic of modern American poetry.Rexroth played both roles-as a poet and a translator-in translation activities,so this essay will be based on the duality of identity,in order to discuss how Rexroth challenged the impersonal theory proposed by T.S.Eliot,a major poetic figure at that time,with the translation of Chinese poems in the context of the development of American poetry in the first half of the twentieth century.The core of his rebellion is the subversion of the Western traditional values behind this theory.Through technical analysis in close reading and theoretical interpretation in translation studies,the essay will explore the translation strategies adopted by Rexroth under specific goals and positions.We will further discuss the aesthetic reflections Rexroth projected in these translation strategies,especially the problems he contemplated,such as the relationship between man and world,the universality and individuality of emotion,and the significance of tradition and individuality.Through these special strategies,Rexroth introduced different aesthetic values of a foreign civilization to the native culture,which helped initiate the renewal and activation of English expression as well as promote his adjustment of individual aesthetic ideas and values.At the intersection of translation history,translation theory,and aesthetic theory,this article discusses how Rexroth's English translations of Du Fu poems have called back the first person to the text and have liberated the individual emotions in the process of integrating heterogeneity and local value,thus completing a poet-translator's rebellion against native poetics by the personalized interpretation of these poems.
- Kenneth Rexroth /
- translation of Du Fu poems /
- poet-translator /
- translation strategy /
- One Hundred Poems from the Chinese

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