Loss and Surpassing in Virtual Dreams: Yasutaka Tsutsui's Paprika
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摘要: 20世纪70年代虚拟技术逐渐成熟,科幻文学也随之表现虚拟世界。虚拟世界指虚拟技术根据现实所生成的仿真情境,虚拟世界科幻是以虚拟技术为基础,通过虚拟现实和虚拟梦境两种题材,在现实世界和虚拟世界转换中探索生命意识的科幻文学亚类型,其中虚拟梦境题材更集中地反映人的迷失和超越。所谓“迷失”,指意识陷入虚拟与现实的困惑中,人丧失了对生命意识的把握;所谓“超越”,指人超脱迷失状态,对自身在虚拟世界中生命意识的重塑和创造。日本作家筒井康隆的《盗梦侦探》在虚拟世界与现实世界的交融中,揭示了人处于“我在哪”“他是谁”“归何处”的三重迷失状态,并从虚拟与现实的真伪纠结、自我和他者的认知矛盾、纵欲和疗愈的梦境改造中探索超越之路,在“虚实平等”“第三视角”“心灵疗愈”等三方面启发人对生命意识的重新发现。Abstract: In the 1970 s, rapid developments in virtual technology gave rise to science fiction works that focused on representing virtual worlds. A virtual world is a simulated situation generated according to reality with virtual technology. Science fiction that deals with virtual worlds explores human consciousness in the transition between real and virtual through two types of virtual world:virtual reality and virtual dreams, of which the latter reflects the loss and surpassing of people in a more concentrated way. "Loss" refers to people losing their grasp on living consciousness and beginning to confuse hallucination and reality. "Surpassing" here means that people surpass the state of loss by reshaping and recreating their consciousness in their own virtual world. Paprika, by the Japanese writer Yasutaka Tsutsui, reveals the trifold loss state of "Where am I?," "Who is she?," and "How do I return?" in the blend of virtual and real worlds. The writer also explores surpassing in the entanglement of truth and falsehood between the virtual and real worlds, the cognitive contradiction between self and other, and the dreamland transformation of indulgence in sensual pleasure and healing, so as to inspire people's rediscovery of life consciousness from the three perspectives of "virtual and real equality, " "third perspective," and "psychological healing."
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Key words:
- virtual dreams /
- virtual worlds /
- science fiction /
- loss /
- surpassing /
- Paprika
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