（跨）国族语境：中国先锋派的俄国诗学

初金一

doi:10.19857/j.cnki.ICL.20225104

（跨）国族语境：中国先锋派的俄国诗学

doi: 10.19857/j.cnki.ICL.20225104

初金一^,

耶鲁大学

详细信息

作者简介:
初金一,耶鲁大学斯拉夫语言文学系助理教授,斯坦福大学博士,麦克米兰国际研究中心欧洲理事会和东亚理事会研究员,俄罗斯科学院和复旦大学访问学者;主要研究领域为俄罗斯诗歌、现代主义、中俄文化联系、翻译研究、科幻研究;译有《陀思妥耶夫斯基:作家与他的时代》《〈日瓦戈医生〉出版记》等。

通讯作者:
初金一,E-mail:jinyi.chu@yale.edu

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出版历程
- 收稿日期: 2021-12-10
- 录用日期: 2022-01-05

(Trans-) National Contexts: The Russian Poetics of the Chinese Avant-Garde

CHU Jinyi^,

Yale University

摘要

摘要: 中国80年代一般被视作以面向西方世界和现代化为主题的时代，然而这并不意味着俄苏文化在中国影响的终结。对于80年代的中国作家来说，50年代以来形成的具有俄苏特色的社会主义世界性文化依然持续性地塑造着中国文学。本文从80年代中国先锋派诗人对俄国诗歌的阅读，来管窥全球社会主义文化在80年代的新方向。
- 俄罗斯 /
- 中国 /
- 诗歌 /
- 世界文学 /
- 先锋派
Abstract: To what extent is post-socialism a transnational conceptual framework for cultural studies? In historiographies of both China and the Soviet Union, the 1980 s is widely considered as an era of neoliberal reform, opening to the West, and turning away from "socialist cosmopolitanism," the transnational socialist official culture with Russian characteristics bourgeoning in 1950 s which had redefined two distinct national cultural traditions. By focusing on a Chinese avant-garde poet's reading Russian poetry, this article proposes that the aesthetics of reform in post-Maoist China is continuously shaped by the legacy of transnational socialist culture, yet in a more complex and subtle fashion.
- Russia /
- China /
- poetry /
- world literature /
- avant-garde

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参考文献(16)

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