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符际翻译模型与跨文化影视实践:以李安《少年派的奇幻漂流》中的毗湿奴形象为例

张浩轩

张浩轩. 符际翻译模型与跨文化影视实践:以李安《少年派的奇幻漂流》中的毗湿奴形象为例[J]. 国际比较文学, 2022, 5(1): 141-169. doi: 10.19857/j.cnki.ICL.20225109
引用本文: 张浩轩. 符际翻译模型与跨文化影视实践:以李安《少年派的奇幻漂流》中的毗湿奴形象为例[J]. 国际比较文学, 2022, 5(1): 141-169. doi: 10.19857/j.cnki.ICL.20225109
ZHANG Haoxuan. Translating through Intersemiotic Translation Models: A Case Study of Ang Lee's Vishnu Imagein Life of Pi[J]. International Comparative Literature, 2022, 5(1): 141-169. doi: 10.19857/j.cnki.ICL.20225109
Citation: ZHANG Haoxuan. Translating through Intersemiotic Translation Models: A Case Study of Ang Lee's Vishnu Imagein Life of Pi[J]. International Comparative Literature, 2022, 5(1): 141-169. doi: 10.19857/j.cnki.ICL.20225109

符际翻译模型与跨文化影视实践:以李安《少年派的奇幻漂流》中的毗湿奴形象为例

doi: 10.19857/j.cnki.ICL.20225109
详细信息
    作者简介:

    张浩轩,杜伦大学现代语言与文化学院博士,其研究主要聚焦于电影媒介研究和翻译的交叉领域。

    通讯作者:

    张浩轩,E-mail:1067492991@qq.com

Translating through Intersemiotic Translation Models: A Case Study of Ang Lee's Vishnu Imagein Life of Pi

  • 摘要: 尽管罗曼·雅各布森的符际翻译概念使我们能够通过翻译研究的棱镜探讨电影,但以逐字翻译为中心的语言到非语言的二元传播范式往往会忽视电影的非语言先验材料。为了弥补这一不足,我们将从符号学翻译模型的角度对这些非语言材料进行严格探究。本文提出了一个多层次的符号学翻译模型体系。这个系统由两个层次组成:文化和符号学。在这一系统中,每一种符际翻译模型都被认为是一种跨层次组合的结果。这种组合与特定文化系统中的特定类型的媒介系统有关,代表了一种“观察”文化视角。电影制作方常通过符际翻译模型进行翻译,并同时设法协调他们的跨文化符际翻译实践。通过李安电影《少年派的奇幻漂流》中毗湿奴形象的个案研究,笔者探讨了电影制作方对符际翻译模型的运用。本文将结合所提出的系统模型阐明李安是如何运用符际翻译模型来展现这一影视形象的。
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出版历程
  • 收稿日期:  2021-04-30
  • 录用日期:  2022-01-05

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