苏联戏剧理论与20世纪30年代上海舞台剧

井上美莉

doi:10.19857/j.cnki.ICL.20225205

苏联戏剧理论与20世纪30年代上海舞台剧

doi: 10.19857/j.cnki.ICL.20225205

井上美莉^,

美国森特学院

详细信息

作者简介:
井上美莉,斯坦福大学中国文学博士,森特学院中文系助理教授。其研究领域包括中国现代文学、戏剧和视觉文化中的跨国交流、性别政治、表演、记忆和跨媒体研究。她的研究得到了CLIR-Mellon奖学金和斯坦福人文中心Geballe博士论文奖金的支持。

通讯作者:
井上美莉,E-mail:meili.inouye@centre.edu

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出版历程
- 收稿日期: 2021-12-10
- 录用日期: 2022-02-12

Soviet Dramatic Theory and Dramas on Stage in 1930s Shanghai

Mei Li Inouye^,

Centre College

摘要

摘要: 本文考察了20世纪30年代上海左翼剧作家在动员中国人民、实现中华民族现代化的戏剧实验中与苏联戏剧和理论的接触。笔者探讨了苏联戏剧理论与戏剧表演的融合如何推进左翼剧作家的议程，并为后来的现代话剧和电影改革奠定基础。文章研究表明，1943年斯坦尼斯拉夫斯基的作品被首度翻译成中文之前，上海业余剧人协会在30年代中后期即在章泯的指导下让苏联戏剧理论参与到上海戏剧作品的排演和制作之中。该剧团的演员们将波兰导演、教师兼演员康斯坦丁·斯坦尼斯拉夫斯基的学生理查德·波列斯拉夫斯基的作品译成中文，并撰文将自己比作亚历山大·尼古拉耶维奇·奥斯特洛夫斯基的作品《暴风雨所诞生的》中的卡特琳娜，以及费奥多·瓦西里耶维奇·格拉德科夫的作品《水泥》中的达莎等角色。本文通过探索早在20世纪30年代苏联与中国现代戏剧的联系，为中国现代戏剧史作出贡献。
- 现代话剧 /
- 中苏理论 /
- 斯坦尼斯拉夫斯基 /
- 郑君里 /
- 章泯
Abstract: This paper examines left-wing dramatists'engagement with Soviet dramas and theories in their experiments to mobilize the Chinese people and modern-ize the Chinese nation during the 1930s in Shanghai.It asks how the incorporation of Soviet dramatic theories and the performance of Soviet works advanced left-wing dramatist agendas and laid the ground for later modern spoken drama and film re-forms.It demonstrates that prior to the first translation of Stanislavski into Chinese in 1943, Shanghaiyeyu juren xiehui上海业余剧人协会(the ShanghaiAmateur Drama-tists Association) under the direction of Zhang Min章泯(1907-1975) engaged with Soviet dramatic theories in their rehearsals and productions in the mid-to-late 1930s in Shanghai.Actors in this troupe translated Richard Boleslawski(Boleslavsky) (1889-1937)—a Polish director, teacher and actor and a student of Konstantin Stan-islavski(1863-1938)—into Chinese and wrote articles comparing themselves to characters such as Katerina from Alexander Nikolayevich Ostrovksy's(1823-1886) play The Storm and Dasha from Feodor Vasilyevich Gladkov's(1883-1958) play Cement.This paper contributes to the history of modern drama in China by exploring the Soviet connection to Chinese modern drama as early as the 1930s.
- Modern spoken drama /
- Sino-Soviet theory /
- Stanislavski /
- Zheng Junli /
- Zhang Min

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