Volume 4 Issue 4
Dec.  2022
Turn off MathJax
Article Contents
DING Zhuo. Loss and Surpassing in Virtual Dreams: Yasutaka Tsutsui's Paprika[J]. International Comparative Literature, 2021, 4(4): 739-751. doi: 10.19857/j.cnki.ICL.20214409
Citation: DING Zhuo. Loss and Surpassing in Virtual Dreams: Yasutaka Tsutsui's Paprika[J]. International Comparative Literature, 2021, 4(4): 739-751. doi: 10.19857/j.cnki.ICL.20214409

Loss and Surpassing in Virtual Dreams: Yasutaka Tsutsui's Paprika

doi: 10.19857/j.cnki.ICL.20214409
  • Received Date: 2021-02-08
  • Accepted Date: 2021-05-30
  • In the 1970 s, rapid developments in virtual technology gave rise to science fiction works that focused on representing virtual worlds. A virtual world is a simulated situation generated according to reality with virtual technology. Science fiction that deals with virtual worlds explores human consciousness in the transition between real and virtual through two types of virtual world:virtual reality and virtual dreams, of which the latter reflects the loss and surpassing of people in a more concentrated way. "Loss" refers to people losing their grasp on living consciousness and beginning to confuse hallucination and reality. "Surpassing" here means that people surpass the state of loss by reshaping and recreating their consciousness in their own virtual world. Paprika, by the Japanese writer Yasutaka Tsutsui, reveals the trifold loss state of "Where am I?," "Who is she?," and "How do I return?" in the blend of virtual and real worlds. The writer also explores surpassing in the entanglement of truth and falsehood between the virtual and real worlds, the cognitive contradiction between self and other, and the dreamland transformation of indulgence in sensual pleasure and healing, so as to inspire people's rediscovery of life consciousness from the three perspectives of "virtual and real equality, " "third perspective," and "psychological healing."
  • loading
  • [1]
    Aldiss,B.,and D.Wingrove.Trillion Year Spree:The History of Science Fiction.New York:Atheneum,1986.
    [2]
    Turkle,S.Life on the Screen:Identity in the Age of the Internet.New York:Touchstone,1995.
    [3]
    (日)青木敬士:『SF小說論講義典』,東京:星雲社,2016年。[AOKI,Takashi.SF Shousetu ronkou giten(A Dictionary of Science Fiction Discourse).Tokyo:Seiunsha Co.,Ltd,2016.
    [4]
    孟庆枢,《给新时代中国比较文学助力》,《中日科幻文学研究》,2019年。[MENG Qingshu."Gei xin shidai Zhongguo bijiao wenxue zhu li"(Boosting Chinese Comparative Literature in the New Era).Zhong Ri kehuan wenxue yanjiu(A Study of Science Fiction in China and Japan)(2019).]
    [5]
    (日)長山靖生:『日本SF精神史』,東京:河出書房新社,2018。[NAGAYAMA,Yasuo.Nihon SF Seishin Shi(The History of SF Spirit in Japan).Tokyo:Hochew Susan Phang sin,2018.]
    [6]
    (日)筒井康隆:《盗梦侦探》,丁丁虫译,上海:译文出版社,2015。[YASUTAKA,Tsutsui.Dao meng zhentan(Paprika).Translated by Ding Ding Chong(DING Zicheng).Shanghai:Translation Publishing House,2015.]
    [7]
    ——:『着想の技術』,东京:新潮社,1989年。[——.Gisou No Gijutu(The Art of Conception).Tokyo:shinchosha,1989.]
    [8]
    (荷)伊恩·布鲁玛:《日本文化中的性角色》,张晓凌、季南译,北京:光明日报出版社,1989年。[Buruma,Ian.Riben wenhua de xing juese(Behind the Mask).Translated by ZHANG Xiaoling and JI Nan.Beijing:Guangming Daily Press,1989,19.]
    [9]
    (荷)约斯·德穆尔:《赛博空间的奥德赛》,麦永雄译,桂林:广西师范大学出版社,2007年。[De Mul,Jos.Saibo kongjian de Aodesai(Cyberspace Odyssey).Translated by MAI Yongxiong.Guilin:Guangxi Normal University Press,2007.]
    [10]
    (美)翟振明:《有无之间》,孔红艳译,北京:北京大学出版社,2007年。[ZHAI Zhenming.You wu zhijian(Get Real).Translated by KONG Hongyan.Beijing:Peking University Press,2007.]
  • 加载中

Catalog

    通讯作者: 陈斌, bchen63@163.com
    • 1. 

      沈阳化工大学材料科学与工程学院 沈阳 110142

    1. 本站搜索
    2. 百度学术搜索
    3. 万方数据库搜索
    4. CNKI搜索

    Article Metrics

    Article views (247) PDF downloads(43) Cited by()
    Proportional views
    Related

    /

    DownLoad:  Full-Size Img  PowerPoint
    Return
    Return