(Trans-) National Contexts: The Russian Poetics of the Chinese Avant-Garde

CHU Jinyi

doi:10.19857/j.cnki.ICL.20225104

Volume 5 Issue 1

Mar. 2022

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CHU Jinyi. (Trans-) National Contexts: The Russian Poetics of the Chinese Avant-Garde[J]. International Comparative Literature, 2022, 5(1): 67-82. doi: 10.19857/j.cnki.ICL.20225104

Citation:

CHU Jinyi. (Trans-) National Contexts: The Russian Poetics of the Chinese Avant-Garde[J]. International Comparative Literature, 2022, 5(1): 67-82. doi: 10.19857/j.cnki.ICL.20225104

CHU Jinyi. (Trans-) National Contexts: The Russian Poetics of the Chinese Avant-Garde[J]. International Comparative Literature, 2022, 5(1): 67-82. doi: 10.19857/j.cnki.ICL.20225104

Citation:

CHU Jinyi. (Trans-) National Contexts: The Russian Poetics of the Chinese Avant-Garde[J]. International Comparative Literature, 2022, 5(1): 67-82. doi: 10.19857/j.cnki.ICL.20225104

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(Trans-) National Contexts: The Russian Poetics of the Chinese Avant-Garde

doi: 10.19857/j.cnki.ICL.20225104

CHU Jinyi^,

Yale University

Received Date: 2021-12-10
Accepted Date: 2022-01-05

Abstract

Abstract

To what extent is post-socialism a transnational conceptual framework for cultural studies? In historiographies of both China and the Soviet Union, the 1980 s is widely considered as an era of neoliberal reform, opening to the West, and turning away from "socialist cosmopolitanism," the transnational socialist official culture with Russian characteristics bourgeoning in 1950 s which had redefined two distinct national cultural traditions. By focusing on a Chinese avant-garde poet's reading Russian poetry, this article proposes that the aesthetics of reform in post-Maoist China is continuously shaped by the legacy of transnational socialist culture, yet in a more complex and subtle fashion.
- Russia,
- China,
- poetry,
- world literature,
- avant-garde

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References(16)

References

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