<i>The Orphan of Zhao</i>: Joseph de Prémare in the Context of Traditional Chinese Drama

LI Sher-shiueh

Volume 2 Issue 2

Mar. 2021

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LI Sher-shiueh. The Orphan of Zhao: Joseph de Prémare in the Context of Traditional Chinese Drama[J]. International Comparative Literature, 2019, 2(2): 169-205.

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LI Sher-shiueh. The Orphan of Zhao: Joseph de Prémare in the Context of Traditional Chinese Drama[J]. International Comparative Literature, 2019, 2(2): 169-205.

LI Sher-shiueh. The Orphan of Zhao: Joseph de Prémare in the Context of Traditional Chinese Drama[J]. International Comparative Literature, 2019, 2(2): 169-205.

Citation:

LI Sher-shiueh. The Orphan of Zhao: Joseph de Prémare in the Context of Traditional Chinese Drama[J]. International Comparative Literature, 2019, 2(2): 169-205.

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The Orphan of Zhao: Joseph de Prémare in the Context of Traditional Chinese Drama

LI Sher-shiueh

Academia Sinica

Received Date: 2018-08-29
Publish Date: 2021-03-09

Abstract

Abstract

In 1731, Joseph de Prémare, a French Jesuit, translated the Yuan play Zhao shi gu’er (The Orphan of Zhao). However, since his translation, titled Tchao-chi-cou-eull, ou Le petit orphelin de la Maison de Tchao, tragedie Chinoise, was published in 1735 in Jean Du Halde’s encyclopedic Description… de la Chine (1735), Prémare has faced harsh criticism. He has been charged with failing to translate the lyrics of the play on account of his insufficient knowledge of traditional Chinese drama. This paper argues for a re-evaluation of Prémare’s Tchao-chi-cou-eull by pointing out that according to his Notitia linguae sinicae (1728), Prémare was knowledgeable not only about Yuan drama but also about Li Yu’s Liweng shizhong qu. It also disputes the critical view of Prémare as having had failed to translate the lyrics of Tchao-chi-cou-eull based on several factors. First, Prémare did translate some four or five airs in the drama. Second, pursuant to his letter to the French Sinologist Étinne Fourmont, Prémare may have expected the latter to fill in the blanks by supplying translations of his own. Finally, Prémare had less than 10 days in which to translate the Tchao-chi-coueull before his ship was scheduled to leave China for France, and thus he did not have time to translate all the lyrics. Given these reasons, this paper argues that critics have been overly-hasty in their condemnation of Prémare’s translation, and that his text deserves more serious scholarly consideration and treatment.
- Joseph de Prémare,
- Tchao-chi-cou-eull,
- Yuan Drama,
- Li Yu,
- Sino-Western literary philosophy

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References(310)

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