Volume 2 Issue 3
Mar.  2021
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XIONG Xiao. On the Conversion of the Poetic Position of Japanese Zhuzhi Ci and Its Relationship with Erotic Art and Literature[J]. International Comparative Literature, 2019, 2(3): 492-507.
Citation: XIONG Xiao. On the Conversion of the Poetic Position of Japanese Zhuzhi Ci and Its Relationship with Erotic Art and Literature[J]. International Comparative Literature, 2019, 2(3): 492-507.

On the Conversion of the Poetic Position of Japanese Zhuzhi Ci and Its Relationship with Erotic Art and Literature

  • Received Date: 2018-08-24
  • Publish Date: 2021-03-09
  • The creation of Zhuzhi Ci by Chinese literati originated from the simulation of folk songs. The positioning of its poetics has undergone several evolutions in the long-term development process, from collecting folk songs to the narrative of customs and landscape, then to the record of geography and history of one place. But its trajectory has never deviated from the discourse system of Confucian poetic theory. While in the poetry of Chinese style in late Edo period of Japan, Zhuzhi Ci became a specific style of poem which takes brothel (Yuukaku in Japanese) and prostitute (Yuujyo in Japanese) as its themes. The establishment of this positioning is consistent with its Chinese original function of description of scenery, besides, the culture of brothel and literature & art of eroticism (Kousyoku in Japanese) have made a great impact on Zhuzhi Ci’s nature and appearance since modern times of Japan. Correspondingly, the creation and poetic commentary of this Zhuzhi Ci have possessed a core of culture of city resident (Tyounin in Japanese), and makes a great deviation and even conflict with the Confucian poetics. The evolution of Zhuzhi Ci is one of the concrete manifestations of the localization of Chinese style-literature in modern Japan, and shows the important role played by Japanese poetics and aesthetics in this process.
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