Volume 7 Issue 3
Sep.  2024
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Masuo Shinichirou. The Forming of “Tiansouchifusai”: With Konjaku Monogatari as a Starting Point[J]. International Comparative Literature, 2024, 7(3): 41-57.
Citation: Masuo Shinichirou. The Forming of “Tiansouchifusai”: With Konjaku Monogatari as a Starting Point[J]. International Comparative Literature, 2024, 7(3): 41-57.

The Forming of “Tiansouchifusai”: With Konjaku Monogatari as a Starting Point

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  • Author Bio:

    MASUO Shinichiro(1956-2014),Professor at Tokyo Seitoku University. Research interests are East Asian Thought and Culture.

  • Received Date: 2024-04-03
  • Accepted Date: 2024-07-03
  • Tiansouchifusai was popular not only in the capital city of Heian-kyō , but also in eastern Japan . It came into shape during the Chisyou Period. The intentions of the sacrificial rite ranged from curing diseases and reducing the impact of natural disasters to winning battles,which demonstrates the diversity of its purpose. Tiansouchifusai tended to be held at the same time with Taizanfukunsai, and the two were closely related. The two rituals had eight gods in common. Taizanfukunsai, which was initially established in the early tenth century, was based on the worship of the Six Great Divisions. In ancient canons, the Chinese character “曹” in Tiansouchifusai was often written as “曺.” The history of “曺” being taken as a variant of “曹” can be traced back to the Chinese classics. On a separate front, “曺” was similar with ‘胄’,which inspired Onmyouji to use “曺” creatively in order to show its mysteriousness and authority.We can see from ancient books such as Konjaku Monogatari and Meihouki that the formation of Tiansouchifusai benefited from Chinese classics, and had a lot to do with the circulation of Chinese canonical texts in East Asia.
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