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DOI:
国际比较文学:2018,(3):351-366
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朝圣者的“冥府之行”—关于《埃涅阿斯纪》与《神曲》“冥府之行”主题四个片段的比较文学解读
(浙江大学)
The Pilgrim's Journey to the Underworld: A Comparative Reading of Some Episodes from Virgil's Aeneid and Dante's Commedia
(Zhejiang University)
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投稿时间:2017-09-01    修订日期:2018-08-26
中文摘要: 在但丁的《神曲》中,维吉尔作为朝圣者的向导给予了朝圣者引导与慷慨的帮助。不仅如此,维吉尔《埃涅阿斯纪》中埃涅阿斯的"冥府之行"也是但丁写作其史诗的典范。本文选择了《神曲》中的四个片段,从这些片段中,不仅能看到但丁对维吉尔的模仿,也能看到但丁从圣经角度对维吉尔进行的改写。通过这些改写,但丁揭示了其对"喜剧"的理解-它并不仅指诗歌从悲惨到幸福的旅程,也指基督教的内涵:即拯救。
中文关键词: 《埃涅阿斯纪》;喜剧;冥府
Abstract:In Dante's Commedia, Virgil acts as a guide who gives the pilgrim instructions, suggestions and generous aid. Moreover, Aeneas' journey through the underworld in Virgil's Aeneid has provided Dante a paradigm of poetic creation. The article selects four episodes from Dante's Commedia which not only imitates, but also rewrites Virgil from the poet's biblical perspective. Through these rewritings Dante indicates his understanding of the elusive term "commedia," which, not only refers to the poem's move from sadness to happiness, but also refers to the inner connotation of Christianity which is the salvation.
keywords: Aeneid;Commedia;underworld
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基金项目:本论文为国家社科基金《〈神曲〉中的奥古斯丁传统研究》(17BWW072)成果。
作者单位
朱振宇 浙江大学 
Author NameAffiliation
ZHU Zhenyu Zhejiang University 
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