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国际比较文学:2020,3(4):722-728
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中国比较诗学研究动态(2018—2020)
(上海外国语大学)
Emerging Trends in Chinese Comparative Poetics: (2018—2020)
(Shanghai International Studies University)
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投稿时间:2020-10-10    
中文摘要: 近两年来,比较诗学学者致力于破除旧有的东西文化二元对立的思维模式,剖析“比较”所预设的“同”与“异”之下的复杂面向,在古今跨学科对话中思考文艺的本质与生成方式,亦有从“元诗学”的维度反思比较诗学本身的范式与方法。这些成果的共同特点是面对西方学术话语与主流思想不盲从,而注重中国诗学理论的话语构建,在中西方互识互鉴中较之以往体现出更加清醒的主体意识,以及对本土与异域诗学理论的双向反思。
中文关键词: 元诗学;跨学科;跨文化交际;平行比较
Abstract:Over the past two years, comparative poetics scholars have been challenging the tired model of East-West cultural binary opposition by analyzing the complex aspects of “similarities” and “differences” presupposed by “comparison.” They have also examined the nature and method of poetry through interdisciplinary dialogues, as well as the paradigms of poetics from the dimension of “metapoetics.” The common feature of studies mentioned in this essay is that they do not blindly follow mainstream Western thinking but focus on the discourse construction of Chinese poetics, thus showing a deeper awareness of the mutual understanding between China and the West, while reflecting on local and foreign poetics reciprocally.
keywords: metapoetics;interdisciplinarity;transcultural communication;parallel comparison
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基金项目:本文系2018年上海市社会科学规划青年课题(项目编号:2018EWY007)和上海外国语大学青年教师科研创新团队项目(项目编号:41004216)阶段性成果。
作者单位E-mail
唐珂 上海外国语大学 kirstiet@126.com 
Author NameAffiliationE-mail
TANG Ke Shanghai International Studies University kirstiet@126.com 
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