Top Cited

1
Imagology: The Feats and Reflections (2014-2018)
ZHOU Yunlong
2018, 1(2): 295-300.
2
Material Evidence Priority: Quadruple Evidence Method and the “Jade-Making China Trilogy”
YE Shuxian
2020, 3(3): 415-437. doi: 10.19857/j.cnki.ICL.20203301
3
The Global Significance of Chinese Culture: From the Perspective of Relations between the Enlightenment and Chinese Culture
ZHANG Xiping
2019, 2(3): 411-427.
4
Topological Meaning of the Concept of “Place”
SHI Yan
2019, 2(4): 765-788.
5
Does European Enlightenment Have to Do with Chinese Culture? — A Response to Prof. ZHANG Xiping
LIU Yunhua
2019, 2(3): 428-441.
6
“East-West” in the Theories of “World-System”
WANG Xiangyuan
2018, 1(3): 473-486.
7
Nietzsche's Revaluation of the “Homeric Question”—How “Philosophy has become what Philology was”
ZHANG Wei
2018, 1(1): 32-47.
8
Forever on the Path of Spiritual Pursuit: An Interview with YUE Daiyun by LIU Yunhua
YUE Daiyun, LIU Yunhua
2018, 1(2): 309-321.
9
The Flâneur in Time’s Constellation: On the Idea of Time in Walter Benjamin’s Thinking about Modernity
HU Guoping
2019, 2(3): 508-519.
10
“Literary Ethnography” and “Anthropological Nature” of Literary Anthropology: Sidelights of the 8th Annual Conference and Symposium of Literary Anthropology
ZHAO Zhoukuan
2020, 3(1): 179-189.
11
The Framing of Southern and Northern Discourses and the Modern Transformation of Ethnic Geospatial Consciousness: A Case Study of Liu Shipei's “Treatise on the Difference between Literatures of the North and the South”
WU Jian
2018, 1(2): 234-248.
12
The Social Functions of Ancient Chinese Painting Inscriptions and the Social Factors in Their Development
WANG Wenxin
2018, 1(3): 386-399.
13
Taking Confucian Religiousness On Its Own Terms
Roger T. AMES
2018, 1(1): 17-31.
14
From Lonely Spark to Prairie Fire: An Overview of the Study of Science Fiction in China (2014-2018)
LYU Chao
2018, 1(2): 301-306.
15
Dialectics of Melancholy: The Succession and Development of Erwin Panofsky's Interpretation of Dürer in Walter Benjamin
SU Yan
2018, 1(3): 431-444.
16
From the “1985 New Wave” to the Age of Image-Capital: On Protection of Chinese Painting and Self-Cultivation and the Acquisition of an Encyclopedic Knowledge of Art by Chinese Painters and Calligraphers
YANG Naiqiao
2019, 2(1): 7-58.
17
Space in Art History
YUAN Jing
2019, 2(1): 137-140.
18
The Orphan of Zhao: Joseph de Prémare in the Context of Traditional Chinese Drama
LI Sher-shiueh
2019, 2(2): 169-205.
19
Beauties in Qing Court Art: On Jiao Bingzhen’s Album of Classical Ladies
JIN Yingcun
2019, 2(2): 246-261.
20
From “l’écart” to “common”: Discussion on François Jullien’s Communication between Chinese and Western Thoughts
DONG Shubao
2019, 2(2): 289-301.
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