|
[1]
|
陈晓兰:《旅行写作、帝国叙述、异域再现》,《中国比较文学》2016年第1期。
|
|
[2]
|
[CHEN Xiaolan. "Travel Writing, Imperial Narratives, and Representation of Exotic Locales." Comparative Literature in China, no. 1(2016).]
|
|
[3]
|
冯定雄:《罗马中心主义抑或种族主义:罗马文学中的黑人形象研究》,《外国文学评论》2017年第2期。
|
|
[4]
|
[FENG Dingxiong. "A Study of the Images of Blacks in Ancient Roman Literature." Foreign Literature Review, no. 2(2017).]
|
|
[5]
|
林曦:《权力联姻:跨文化形象学的困境与路径》,《中国图书评论》2014年第1期。
|
|
[6]
|
[LIN Xi. "Power Uniting:The Dilemma and Methods of Cross-Cultural Imagologie." China Book Review, no. 1(2014).]
|
|
[7]
|
刘志锋:《比较文学形象学视野中的"长安形象":以韩国汉诗为中心》,《中国比较文学》2014年第1期。
|
|
[8]
|
[LIU Zhifeng. "Images of Changan in the Perspective of Imagologie." Comparative Literature in China, no. 1(2014).]
|
|
[9]
|
牟芳芳:《历史叙事与资本逻辑:透析〈光之杯〉中的北京形象》,《外国文学》2018年第1期。
|
|
[10]
|
[MOU Fangfang. "Historical Narrative and Capitalist Logic:An Analysis of the Beijing Image in A Cup of Light." Foreign Literature, no. 1(2018).]
|
|
[11]
|
钱林森:《中外文学交流史:中国-法国卷》,济南:山东教育出版社,2015年。
|
|
[12]
|
[QIAN Linsen. A History of China-France Literature Exchange. Jinan:Shandong Education Publishing House, 2015.]
|
|
[13]
|
沈杏培:《中国形象三重奏:文化差异·人性创伤·民族志》,《当代作家评论》2018年第2期。
|
|
[14]
|
[SHEN Xingpei. "Three Aspects of Chinese Image:Cultural Difference, Humanity Trauma, and Ethnography." Contemporary Chinese Writers Review, no. 2(2018).]
|
|
[15]
|
施爱东:《16-20世纪的龙政治与中国形象》,北京:北京三联书店,2014年。
|
|
[16]
|
[SHI Aidong. The Politics of Dragon and Images of China in the 16th-20th Century. Beijing:SDX Joint Publishing Company, 2014.]
|
|
[17]
|
谭渊:《名哲还是诗伯?——晚清学人视野中歌德形象的变迁》,《中国比较文学》2017年第2期。
|
|
[18]
|
[TAN Yuan. "The Evolution of the Images of Goethe in the Eyes of Intellectuals of Late Qing Dynasty." Comparative Literature in China, no. 2(2017).]
|
|
[19]
|
谭渊:《异域光环下的骑士与女英雄国度:德语巴洛克文学中的中国形象研究》,《同济大学学报》2017年第4期。
|
|
[20]
|
[TAN Yuan. "The Country of Knights and Heroines in Exotic Aura:A Study of Chinese Images in German Baroque Literature." Tongji University Journal, no. 4(2017).]
|
|
[21]
|
王茜:《"空洞"的所指:〈一个中国人在中国的遭遇〉与文学形象学另议》,《中国比较文学》2017年第4期。
|
|
[22]
|
[WANG Xi. "The Empty Signifier:The Tribulation of A Chinese in China and Imagologie." Comparative Literature in China, no. 4(2017).]
|
|
[23]
|
徐东日:《论朝鲜朝使臣李窅眼中的顺治帝形象》,《中国比较文学》2015年第4期。
|
|
[24]
|
[XU Dongri. "Shunzhi Emperor in the Eyes of Korean Ambassador LI Yao." Comparative Literature in China, no. 4(2015).]
|
|
[25]
|
虞又铭:《埃及的鳄鱼:论〈安东尼与克里奥佩特拉〉中的异域想象与自我反思》,《中国比较文学》2017年第2期。
|
|
[26]
|
[YU Youming. "The Exotic Images and Self-Questioning in Antony and Cleopatra." Comparative Literature in China, no. 2(2017).]
|
|
[27]
|
张小玲:《论〈开往中国的慢船〉中作为符号的美国与中国形象》,《中国比较文学》2017年第1期。
|
|
[28]
|
[ZHANG Xiaoling. "The Images of America and China in On A Slow Boat to China." Comparative Literature in China, no. 1(2017).]
|
|
[29]
|
赵佳:《政治寓言中的他者形象和西方的危机:评乌勒贝克的〈屈从〉》,《当代外国文学》2017年第2期。
|
|
[30]
|
[ZHAO Jia. "Image of the "Other" in Political Allegory and Crisis of the West:On Michel Houellebecq's Submission." Contemporary Foreign Literature, no. 2(2017).]
|
|
[31]
|
周宁、周云龙:《他乡是一面负向的镜子:跨文化形象学的访谈》,北京:北京大学出版社,2014年。
|
|
[32]
|
[ZHOU Ning, and ZHOU Yunlong. An Interview on Cross-Cultural Imagologie. Beijing:Peking University Press, 2014.]
|
|
[33]
|
周云龙:《另一种跨文化形象学的可能:从"影子媒介"出发》,《中国比较文学》2015年第4期。
|
|
[34]
|
[ZHOU Yunlong. "The Possibility of Another Cross-Cultural Imagologie:Starting from ‘Shadow Media’." Comparative Literature in China, no. 4(2015).]
|
|
[35]
|
周云龙:《亚洲景框与世界图像的视觉隐喻》,《福建师范大学学报》2017年第6期。
|
|
[36]
|
[ZHOU Yunlong. "Asian Frame and the Visual Metaphor." Journal of Fujian Normal University, no. 6(2017).]
|
点击查看大图
下载:
